Criticism

&

Creative Writing‍ ‍

Reviews

Transformative Repair — Melbourne Design Week 2026 — exhibition review for VAULT Magazine Issue 55 — forthcoming

The Conversation — ‘What to Watch’ — Monthly Contributor, 2026-

The Man I Love And The Cost Of Being Seen — The Man I Love (2026, dir. Ira Sachs)— Sydney Film Festival (SFF) — film essay for Standing Room Magazine — co-authored with Jane DiLauro

Drooling for Design Week — Melbourne Design Week 2026 round-up & exhibition preview for to Be Magazine

Antihero Marty Supreme is Sociopathic in His Pursuit of Glory. Why Do We Want Him to Win? —Marty Supreme (2025, dir. Josh Safdie) — film essay for The Conversation

A Conversation with the Sun (Afterimage): Apichatpong Weerasethakul — Museum of Contemporary Art Australia — exhibition review for to Be Magazine

New Horror Film Went Up The Hill is a Chilling Exploration of Trauma and Memory — Went Up the Hill (2025, dir. Samuel Van Grinsven) — Melbourne International Film Festival (MIFF) — film review for The Conversation,

Interviews

Interview & essay with Matthew Thorne — forthcoming

Interview & essay with Jake Starr — forthcoming

Interview & essay with Nick Modrzewski — forthcoming

Interview & essay with Sarah Benjamin — forthcoming

“Cinema is the perfect medium to create dreams”: Lucile Hadžihalilovic on The Ice Tower — exclusive interview for Plainwater Films

Young-jun Tak on Sameness and Difference — interview for COMA Gallery and to Be Magazine

Julius von Bismarck: This is not the storm Opens at ACCA — Australian Centre for Contemporary Art (ACCA) — interview and exhibition review for Union Magazine

Julia Trybala: New Paintings — STATION Gallery — interview and exhibition review for to Be Magazine

“Out of the Blue, and Into the Black”: Chloé Bourgès on Activism, Rebellion, and Opening a Micro-Cinema — interview for oscarbloomfield.com

“Cinema as a Recorder of Humanity”: An Interview with Apichatpong Weerasethakul — interview for Rough Cut

Stirling Caiulo and A Rip In the Möbius Strip — SOL GALLERY — interview and exhibition review for to Be Magazine

Essays

Amongst the Boundless Depths of Blue, we Drift… Reflections on Derek Jarman’s ‘Blue’ (1993) —forthcoming

Scheduled introduction and accompanying essay — L’avventura (1960)— Michelangelo Antonioni: Modernist Master Retrospective — EUROPA! Film Festival, 2026. Appearance cancelled due to travel disruption

Creative Writing

The Unceasingly Idle Film: A Dramedy in Four Acts, co-authored with Chantel Horvat — forthcoming.

Edited Work

Editor: “Digital Jambi” by James L. Greatz in Neon Digital Darkness: A Short Anthology, 2021.