Criticism& Creative Writing Reviews‘Antihero Marty Supreme is Sociopathic in His Pursuit of Glory. Why Do We Want Him to Win?’ — Marty Supreme (2025, dir. Josh Safdie) — film essay for The ConversationRepublished by RNZ (Aotearoa New Zealand)A Conversation with the Sun (Afterimage): Apichatpong Weerasethakul — Museum of Contemporary Art Australia — exhibition review for to Be Magazine‘New Horror Film Went Up The Hill is a Chilling Exploration of Trauma and Memory’ — Went Up the Hill (2025, dir. Samuel Van Grinsven) — film review for The Conversation, Melbourne International Film Festival (MIFF)InterviewsConversation & Essay with Matthew Thorne — forthcomingJulia Trybala: New Paintings — STATION Gallery, Melbourne — interview and exhibition review for to Be Magazine “Out of the Blue, and Into the Black”: Chloé Bourgès on Activism, Rebellion, and Opening a Micro-Cinema — interview for oscarbloomfield.com“Cinema as a Recorder of Humanity”: An Interview with Apichatpong Weerasethakul — interview for Rough CutFeatured in “Asian Cinema Digest #63” (November 2025) — Asian Cinema ArchiveStirling Caiulo and A Rip In the Möbius Strip — SOL GALLEY, Melbourne — interview and exhibition review for to Be Magazine Essays Amongst the Boundless Depths of Blue, we Drift… Reflections on Derek Jarman’s ‘Blue’ (1993). Critical-creative essay — forthcomingScheduled introduction and accompanying essay — L’avventura (1960) — Michelangelo Antonioni: Modernist Master Retrospective — EUROPA! Film Festival, 2026. Appearance cancelled due to travel disruption Creative Writing The Unceasingly Idle Film: A Dramedy in Four Acts, co-authored with Chantel Horvat — forthcoming.Edited Work Editor: “Digital Jambi” by James L. Greatz in Neon Digital Darkness: A Short Anthology, 2021.
