Reviews

Transformative Repair — Melbourne Design Week 2026 — exhibition review for VAULT Magazine Issue 55 — forthcoming

Drooling for Design Week — Melbourne Design Week 2026 round-up & exhibition preview for to Be Magazine

The Conversation — ‘What to Watch’ — Monthly Contributor, 2026-

• Lizard (2020, dir. Akinola Davies Jr) & Marty Supreme (2025, dir. Josh Sadie) — April 2026

• Vagabond (1985, dir. Agnès Varda) — March 2026

• L’eclisse (1962, dir. Michelangelo Antonioni)— February 2026

‘Antihero Marty Supreme is Sociopathic in His Pursuit of Glory. Why Do We Want Him to Win?’ —Marty Supreme (2025, dir. Josh Safdie) — film essay for The Conversation

• Republished by RNZ (Aotearoa New Zealand)

A Conversation with the Sun (Afterimage): Apichatpong Weerasethakul — Museum of Contemporary Art Australia — exhibition review for to Be Magazine

‘New Horror Film Went Up The Hill is a Chilling Exploration of Trauma and Memory’ — Went Up the Hill (2025, dir. Samuel Van Grinsven) — film review for The Conversation, Melbourne International Film Festival (MIFF)

Interviews

Interview & essay with Matthew Thorne — forthcoming

Interview & essay with Sarah Meital Benjamin — forthcoming

Young-jun Tak on Sameness and Difference — interview for COMA Gallery and to Be Magazine

Julius von Bismarck: This is not the storm Opens at ACCA — Australian Centre for Contemporary Art — interview and exhibition review for Union Magazine

Julia Trybala: New Paintings — STATION Gallery, Melbourne — interview and exhibition review for to Be Magazine

“Out of the Blue, and Into the Black”: Chloé Bourgès on Activism, Rebellion, and Opening a Micro-Cinema — interview for oscarbloomfield.com

“Cinema as a Recorder of Humanity”: An Interview with Apichatpong Weerasethakul — interview for Rough Cut

• Featured in “Asian Cinema Digest #63” (November 2025) — Asian Cinema Archive

Stirling Caiulo and A Rip In the Möbius Strip — SOL GALLEY, Melbourne — interview and exhibition review for to Be Magazine

Essays

Amongst the Boundless Depths of Blue, we Drift… Reflections on Derek Jarman’s ‘Blue’ (1993). Critical-creative essay — forthcoming

Scheduled introduction and accompanying essay — L’avventura (1960)— Michelangelo Antonioni: Modernist Master Retrospective — EUROPA! Film Festival, 2026. Appearance cancelled due to travel disruption

Creative Writing

The Unceasingly Idle Film: A Dramedy in Four Acts, co-authored with Chantel Horvat — forthcoming.

Edited Work

Editor: “Digital Jambi” by James L. Greatz in Neon Digital Darkness: A Short Anthology, 2021.