Conference Presentations

‘The Creative Thesis: Writing Film Studies’, paper/video essay, 2025 SSAAANZ conference: ‘Emerging and Dispersed Scholarship’, online. 

‘The Silent Listener: Michelangelo Antonioni’s La notte (1961)’, video essay, 2025 Film-Philosophy conference, l-universita ta' Malta, Valetta.

‘Blowup (1966): To (Un)See is to (Un)Learn’, paper, 2024 SSAAANZ conference: ‘Seen/Unseen: Screen Studies in the 21st Century’, Flinders University, Adelaide.

‘To Be Lonely: Michelangelo Antonioni and the Hermeneutically Unstable’, paper, 2024 Film-Philosophy conference, Museu Municipal de Espinho, Espinho, Portugal.

Symposium Presentations

‘The Edge of the Kiss': Claire Denis’s Trouble Every day (2001)’, paper, 2025 Brunswick Bulleke-Bek Cinema (BBBC) program opener, GalleyGalleryinc, Melbourne, Victoria.

‘L’eclisse (1962) & Kiss (1963): To (Un)see is to (Un)learn’, video essay, 2024 Deakin University Creative Practices and Pedagogies Beyond the Institution symposium, Sean Lowry (Project 8 Gallery) provocateur and respondent, Testing Grounds, Melbourne, Victoria.